Wine Labels - Peeling off the MysteryBy James Pendleton
One of the most baffling subjects that confronts the budding wine enthusiast is the deciphering of the myriad of information contained on the bottle label, especially that contained on wine bottles from European countries. Once the basic rules are taken on board it becomes a lot simpler. Whereas most New World countries put details of the grape varieties on the front label, a lot of European regions do not, and as this is the most basic of information for taste purposes why is this the case?
European winemakers tend to put more emphasis on the place of origin. For instance, a Bordeaux red typically wont say ‘Cabernet’ or ‘Merlot’ on the front label, but instead have the name of the chateau where it was made, and usually the part of Bordeaux where it was made, for example Haut-Medoc. Similarly a Sancerre is totally Sauvignon Blanc, but an in depth analysis of the label will leave you none the wiser. For the French the important factor is that the wine comes from Sancerre in the Loire valley and for them it is inbred knowledge that white Sancerre is Sauvignon Blanc.
Moving south to Spain, red Rioja declares itself as Rioja on the label, not Tempranillo the grape variety used, whilst in Italy most Tuscan reds have no information on the Sangiovese grape that is most widely used in these wines. Given this mish-mash of information it is no wonder that many of us head for that bottle with the label announcing it is a Chardonnay Viognier from the Ironstone Vineyard of California.
It is clear then that the Europeans believe the most important factor influencing a wine’s character is the soil, climate and culture of the area where the grape is grown and this is particularly important to single-vineyard wines who make the most of capturing the essence of a particular area of land. So whereas a French winemaker will see his wine as reflecting the character of a particular region, a New World winemaker mad about grape varieties will consider that soil is just the growing medium in which the fruit grows, and that the grape variety and hard work in the winery are what really counts. Today these two opposing approaches to wine labelling are moving closer together with New World producers emphasising their regionality and its characteristics, whilst European, even the parochial French winemakers possibly prompted by the wholesalers and the supermarkets are labelling their wines more clearly.
Also by James Pendleton:Wine History - When the Cork Met the Bottle - The role of the Church in the production and marketing of wine declined with the Reformation, particularly in northern Europe, but this did not convulse the wine world half as much as the discovery of the usefulness of corks about a century later. For the first time since the Roman empire, wine could now be stored and aged in bottles. Corks or Screw Caps - The Closing Argument - It is now very rare to find the total use of natural cork to stop wine bottles with the Rioja region of Spain being the most obvious exception. Increasingly, for a wide variety of reasons, the use of plastic stoppers and screw caps is becoming widespread. Why is this so, and what are the pros and cons of each method, and what should we be looking for when considering the alternatives? This really is a topic of hot debate in the world of wine at the moment. By tasting wines using the different methods of stopping, you can join this debate fully with your own opinions, thereby reinforcing the subjectivity of wine appreciation. Wine and Oak - A Beautiful Relationship - One of the biggest influences on the flavour of wine is whether it has been matured, or even just stored, in oak. There are people who are prejudiced against oaked wine and will complain of even the slightest hint of oak, but many experts agree that if a wine has been carefully oaked it does not taste of wood, but more like a wine that has had its flavour subtly enhanced. James Pendleton is a lover of the better things in life. For more information on wine visit Wine Capital.
| 